Tilt is an artistic framework I have been evolving over the past few years, in which drawing isn’t just a creative tool but a way of paying attention.
I have realised that the speed of life most of us are now used to makes many things invisible. I use drawing to look slower, to linger long enough to let the nuances of a place, its hidden stories, its peculiarities emerge.
Drawing often opens conversations during travel. It lets me see details I would have otherwise missed. I collect snippets of these encounters - written notes, conversations, sketches, photographs, drawings - that gradually come together in a sort of reconstructed memory of a lived moment.